Abstracts PDF

1-10

ARTICLES | ARTIGOS

Film Realism and the Possibility of Using Cinematic Characters as Moral Examples

William Pamerleau (University of Pittsburgh at Greensburg) PDF

12-26

Nihilism On The Metaphysical Screen: The Fate of Gilles Deleuze’s Cinematic Ethics

Laurence Kent (King’s College London) PDF

27-41

Staging Disagreement and Its Ethics: A Rancièrian Approach to Lanthimos’ Dogtooth

Seckin Goksoy (University College Dublin) and Tugce Bidav (Maynooth University) PDF

42-60

Law And Image: The Minor Ethics in Krzysztof Kieślowski’s Decalogue One

Aleksi Rennes (University of Turku) PDF

61-78

Phenomenological Imagination, Ethics, and Empathy: The Case of Epilepsy

Isabelle Delmotte (Waikato University) PDF

79-96

Trauma and Rationalization: Ethical Tensions and Confounding Empathies in Oppenheimer’s The Act of Killing

Joseph G. Kickasola (Baylor University) PDF

97-130

A Psychoanalytic Ethics for Screen Aesthetics? The Case of Spring Breakers

Alison Horbury (University of Melbourne) PDF

131-151

“They’re Bad People – They Should Suffer”: Post-British Crime Films and the Ethics of Retributive Violence

Mark Schmitt (TU Dortmund University) PDF

152-168

BOOK REVIEWS | RECENSÕES DE LIVROS

Ethics and Aesthetics in Contemporary African Cinema

William Brown (University of Roehampton, London) PDF

170-174

Pixar with Lacan: The Hysterics Guide to Animation

Anthony J. Ballas (University of Colorado at Denver) PDF

175-179

Non-Cinema: Global Digital Film-Making and the Multitude

Harifa Siregar (Georgia State University) PDF

180-184

Hitchcock’s Moral Gaze

Philipp Teuchmann (FCSH-UNL) PDF

185-190

Sternberg and Dietrich: The Phenomenology of Spectacle

Maria Irene Aparício (FCSH-UNL | Ifilnova) PDF

191-198

The Shape of Spectatorship: Art, Science, and Early Cinema in Germany

Philip Teuchmann (FCSH-UNL) PDF

199-203

CONFERENCE REPORTS | RELATÓRIOS DE CONFERÊNCIAS

Genologophobia

William Brown (University of Roehampton, London) PDF

205-210