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Cinema 12 (2020)

IMAGES OF THE REAL

edited by Stefanie Baumann and Susana Nascimento Duarte PDF 

managing editor: Patrícia Castello Branco   

Editorial pdf 1-2

Abstracts  pdf  3-7

 

Images of the Real. Introductory Notes 1

Stefanie Baumann (New University of Lisbon/IFILNOVA) pdf  8-21

 

A realidade das imagens. Notas Introdutórias 2

Susana Nascimento Duarte (Escola Superior de Artes e Design, Caldas da Rainha/IFILNOVA)  pdf    22-39

 

The Techno-Scientific Civilization and the De-Realization of the Image. Godfrey Reggio’s Qatsi

Trilogy in the Light of Jacques Ellul’s Reflection on Technology

Francesco Cattaneo (University of Bologna) pdf        41-60

 

Posthuman Perspectives: The Strange Case of Jodie Mack and Johann Lurf      

Vittorio Lubrano (New University of Lisbon/IFILNOVA) pdf        61-75

 

The African Twin Towers. Unveiling The Creative Process in Christoph Schlingensief’s

Late Film Work

Jeremy Hamers (University of Liège) pdf        76-93

 

Para Um Cinema Da Comunhão: Notas A Partir De Traces (2014), De Wang Bing

Pedro Florêncio (Universidade Nova de Lisboa) pdf              94-109

 

On Remediations of Reality and Poetics of Philosophy.
Working Through Complexity and the Strange Case of Korsakow Documentary

Anna Wiehl (University of Bayreuth) pdf     110-132

 

SPECIAL DOSSIER | DOSSIÊ ESPECIAL

 

The Uncertainties of Dialectics

Jacques Rancière (University Paris 8) pdf      134-141

 

Deaths of Documentary

Paula Rabinowitz (University of Minnesota) pdf      142-157

 

A Busca Totalizante de Sentido

Trinh T. Minh-ha (University of California, Berkley) pdf      158-174

 

Virtual Round Table | Mesa Rodonda Virtual

Composed by Susana Nascimento Duarte and Stefanie Baumann pdf      175-215

version atlas pdf

 

BOOK REVIEWS | RECENSÕES DE LIVROS

 

A Film-Philosophy of Ecology and Enlightenment

Maria Irene Aparício (Universidade Nova de Lisboa/IFILNOVA) pdf      217-221

 

The Techne of Giving: Cinema and the Generous Form of Life

Dong Yang (The University of Georgia, USA) pdf         222-226

 

 

 

Article originally appeared on Cinema: Journal of Philosophy and the Moving Image (http://cjpmi.ifilnova.pt/).
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