Recensões de Livros

 

As recensões de livros não são arbitradas cientificamente. No entanto, são analisadas pelo conselho editorial e pela editora da secção, Maria Irene Aparício. Informações sobre o acesso aos livros disponíveis poderão ser solicitadas através do e-mail cinema.book.editor@gmail.com.

Os editores e autores interessados em disponibilizar as suas obras para recensão podem enviar os exemplares para:

Maria Irene Aparício / Cinema Book Editor
Cinema Journal of Philosophy and the Moving Image

IFILNOVA - Instituto de Filosofia da Nova / Faculdade de Ciências Sociais e Humanas da UNL
Edifício I&D, 4º Piso
,
Avenida de Berna, 26
1069-061 LISBOA

Data limite para recepção de textos Número 10: 15 de Junho de 2018

Alguns títulos propostos para recensão:

Plotinus and the Moving Image Edited by Thorsten Botz-Borns and teinGiannis Stamatellos (Leiden and Boston: Brill Rodopi, 2017, 264 pp.)
(entregue para recensão)

Contemporary Women`s Cinema, Global Scenarios and Transnational Contexts
Edited by Veronica Pravadelli (Milan: Mimesis International, 2017, 281 pp).
(Cópia disponível)

Dancing with the Nation. Courtesans in Bombay Cinema by Ruth Vanita (New York and London: Bloomsbury, 2018, 2017 pp).
(Cópia disponível)

Global Burnout by Pascal Chabot (Tranlated from the french by Aliza Krefetz) (New York and London: Bloomsbury, 2013 | 2018, 134 pp.).
(Cópia disponível)

Seeing into Screens. Eye Tracking and the Moving Image Edited by Tessa Dwyer, Claire Perkins, Sean Redmond and Jodi Sita (New York: Bloomsbury, 2018, 275 pp.)
(Cópia disponível)

Mythopoetic Cinema: On the Ruins of European Identity by Kriss Ravetto-Biagiolli (New York: Columbia University Press, 2017, 314 pp.)
(Cópia disponível)

Nocturnal Fabulations. Ecology, Vitality and Opacity in the Cinema of Apichatpong Weerasethakul by Érik Bordeleau, Toni Pape, Ronald Rose-Antoinette and Adam Szymanski (London: Open Humanitiies Press, 2017, 149 pp.)
(Cópia disponível)

Acinemas. Lyotard`s Philosophy of Film Edited by Graham Jones and Ashley Woodawrd (Edinburgh: Edinburgh University Press, 2017, 224 pp.)
(Enviado para recensão)

Organic Cinema. Film, Architecture and the Work of Béla Tarr by Thorsten Botz-Bornstein (New York: Berghahan Books, 2017, 221 pp.)
(Cópia disponível)

Movement as Meaning in Experimental Cinema by Daniel Barnett (New York: Bloomsbury Academic, 2017, 323 pp.)
(Cópia disponível)

Playable Bodies. Dance Games and Intimate Media by Kiri Miller (New York: Oxford UNiversity Press, 2017, 237 pp.)
(Cópia disponível)

The Techne of Giving. Cinema and the Generous Form of Life by Timothy C. Campbell (Fordham University Press, 2017, 219 pp.)
(Cópia disponível)

Speaking Pictures. Neuropsychoanalysis and authorship in Film and Literature by Alistair Fox (Bloomington: Indiana University Press, 2016, 292 pp.)
(Cópia disponível)

Falso Movimento. Ensaios sobre Escrita e Cinema by Clara Rowland e Tom Conley (Lisboa: Edições Cotovia, 2016, 274 pp.)
(Cópia disponível)

Animation Cinema Workshop. From Motion to Emotion by Robi Engler (Bloomington: Indiana University Press, 2015, 300 pp.)
(entregue para recensão)

Philippe Grandrieux Sonic Cinema by Greg Hainge (New York: Bloomsbury, 2017, 299 pp.)
(cópia disponível)

Hitchcock`s Moral Gaze, Edited by R. Barton Palmer, Homer B. Pettey, and Steven M. Sanders (New York: Suny Press / State UNiversity of New York, 2017, 331 pp.)
(Cópia disponível)

Carceral Fantasies. Cinema and Prison in Early Twentieth-Century America by Alison Griffiths (New York: Columbia University Press, 2016, 440 pp.)
(Cópia disponível)

The Grace of Destruction. A Vital Ethology of Extreme Cinemas by Elena del Río (New York and London: Bloomsbury Academic, 2016, 267 pp.).
(Cópia disponível)

Maghrebs in Motion. North African Cinema in Nine Movements by Suzanne Gauch (New York: Oxford University Press, 2016, 234 pp.)
(Cópia disponível)

Art History for Filmmakers. The Art of Visual Storytelling by Gillian Mclver (London: Bloomsbury, 2016, 256 p.)
(entregue para recensão)

Bodies in Pain. Emotion and the Cinema of Darren Aronofsky by Tarja Laine (New York and Oxford: Berghahn Books, 2015, 184 pp.)
(Cópia disponível)

The Documentary Film Reader. History, Theory, Criticism Edited by Jonathan Kahana (Oxford and New York: Oxford University Press, 2016, 1024 p.)
(entregue para recensão)

The Moving Image and the Assamese Culture. Joymoti, Jyotiprasad Agarwala, and Assamese Cinema by Bobbeeta Sharma (New Delhi: Oxford University Press, 2014, 184 pp.).
(Cópia disponível)

New Hong Kong Cinema. Transitions to Becoming Chinese in 21st-Century East Asia by Ruby Cheung (New York and Oxford: Berghahn Books, 2016, 273 pp.)
(Cópia disponível)

Pixar with Lacan. The Hysteric`s Guide to Animation by Lilian Munk Rösing (London: Bloomsbury, 2016, 181 pp. 181 pp.)
(Enviado para recensão)

Postcolonial Theory and Avatar by Gautam Basu Thakur (London: Bloomsbury, 2016, 195 pp.)
(Cópia disponível)

Outside the Lettered City. Cinema, Modernity, and the Public Sphere in Late Colonial India by Manishita Dass (Oxford: Oxford University Press, 2016, 229 pp)
(Cópia disponível)

Skepticism Films: Knowing and Doubting the World in Contemporary Cinema by Philipp Schmerheim (New York: Bloomsbury, 2016, 335 pp)
(Cópia disponível)

Darren Aronofsky`s Films and the Fragility of Hope by Jadranka Skorin-Kapov (New York: Bloomsbury, 2016, 183 pp)
(Cópia disponível)

The Shape of Spectatorship. Art, Science, and Early Cinema in Germany by Scott Curtis (New York: Columbia University Press, 2015, 371 pp.)
(Cópia disponível)

Klein, Sartre and Imagination in the Films of Ingmar Bergman by Dan Williams (New York: Palgrave Macmillan, 2015, 236 pp.)
(Cópia disponível)

Devices of Curiosity. Early Cinema & Popular Science by Oliver Gaycken (Oxford: Oxford University Press, 2015, 255 pp.)
(Enviado para recensão - Nico Jenkins)

The Oxford Handbook of Film Music Studies by David Neumeyer (Edited by) (Oxford:Oxford University Press, 2014, 683 pp.)
(Enviado para recensão - Maile Colbert)

Documenting Cityscapes. Urban Change in Contemporary Non-Fiction Film by Iván Villarmea Álvarez (London & New York: Wallflower Press, Columbia University Press, 2015, 246 pp.).
(entregue para recensão)

Latin Hitchcock. How Almodóvar, Amenábar, De la Iglesia, Del Toro and Campanella became Notorious by Dona M. Kercher (London & New York: Wallflower Press / Columbia University Press, 2015, 384 pp.).
(Cópia disponível)

The Lumière Galaxy. Seven Key Words for the Cinema to Come by Francesco Casetti (New York: Columbia Universiity Press, 2015, 297 pp.).
(Enviado para Recensão - Reno Lauro)

The Cinema of Poetry by P. Adams Sitney (Oxford: Oxford University Press, 2015, 276 pp.).
(Cópia disponível)

The Routledge Encyclopedia of Film Theory Edited by Edward Branigan and Warren Buckland (New York: Routledge, 2015, 526 pp.).
(Enviado para recensão - Patrícia Rosas)

Avant-Doc. Intersections of Documentary and Avant-Garde Cinema by Scott MacDonald (New York: Oxford University Press, 2015, 455 pp.).
(Entregue para recensão)

Film Worlds. A Philosophical Aesthetics of Cinema by Daniel Yacavone (New York: Columbia University Press, 2015, 311 pp.).
(Enviado para recensão - Alexander Davis)

Cinematic Chronotopes. Here, Now, Me by Pepita Hesselberth (New York, London, New Delhi, Sydney: Bloomsbury, 2014, 189 pp).
(Enviado para recensão - Tom Lordan)

Afterlifes. Allegories of Film and Mortality in Early Weimar Cinema by Steve Choe (Oxford and New York: Oxford University Press, 2014).
(Cópia disponível)

The Biopic in Contemporary Film Culture Edited by Tom Brown and Belén Vidal (New York and London: Routledge / Taylor & Francis Group, 2014).
(Enviado para recensão - Sergey Toymentsev)

Cinepoetry. Imaginary Cinemas in French Poetry by Christophe Wall-Romana (New York: Fordham University Press, 2013).
(Cópia disponível)

In nome della legge: la giustizia nel cinema italiano de Guido Vitiello (Org.) (Editore Rubbetino 2013).
(Cópia disponível)

Imagens da Imagem de Paulo Filipe Monteiro (Coimbra: Imprensa da Universidade de Coimbra, 2012)
(Nenhuma cópia disponível)

Imagem, Corpo, Tecnologia. A função Háptica das Novas Imagens Tecnológicas de Patrícia Silveirinha Castello Branco (Lisboa: Fundação Calouste Gulbenkian, 2013).
(cópia disponível)
 

Manoel de Oliveira. Cinema, parola, politica de Francesco Saverio Nisio (Genova: Le Mani, 2010)
(Cópia disponível)

Les Titres de Film. Économie et évolution du titre de film français depuis 1969 de Noëlle Rouxel-Cubberly (Michel Houdiard Éditeur, 2011)
(Cópia disponível)


 *****

Recensões publicadas (Nº7 a Nº9)

(nº 9) The Body and the Screen. Female Subjectivities in Contemporary Women`s Cinema by Kate Ince (New York: Bloomsbury Academic, 2017, 194 pp.)

(Nº 9) Doing Time. Temporality, Hermeneutics, and Contemporary Cinema by Lee Carruthers (New York: State University of New York / Suny Press, 2016, 173 pp.)

(Nº 9) Psychoanalytic Film Theory and "The Rules of the Game" by Todd Mcgowan (New York: Bloomsbury, 2015, 179 pp.)

(Nº 9) Surviving Images. Cinema, War, and Cultural Memory in the Middle East by Kamran Rastegar (Oxford: Oxford University Press, 2015, 235 pp.)

(nº 9) The Philosophy of Spike Lee edited de Mark T. Conard (The University Press of Kentucky, 2011).

(Nº 9) Deleuze, Japanese Cinema, and Atom Bomb. The Spectre of Impossibility by David Deamer (New York, London, New Delhi, Sydney: Bloomsbury, 2014).

(Nº 8) Understanding Sound Tracks Through Film Theory by Elsie Walker (Oxford: Oxford University Press, 2015, 435 pp.).

(Nº 8) Cinema of Simulation. Hyperreal Hollywood in the Long 1990s by Randy Laist (New York: Bloomsbury, 2015, 257 pp.)

(Nº 8) Mismatched Women. The Siren`s Song Throughthe Machine by Jennifer Fleeger (Oxford and New York: Oxford University Press, 2014).

(Nº 7) Post-Cinematic Theatre and Performance by Piotr Woycicki (New York: Palgrave Macmillan, 2014, 268 pp.).

(nº 7) Philosophy and Blade Runner by Timothy Shanahan (New York: Palgrave Macmillan, 2014).

(Nº 7) Music, Performance, and the Realities of Film. Shared Concert Experiences in Screen Fiction by Ben Winters (New York and London: Routledge, 2014).

(nº 7) Cinema and Agamben. Ethics, Biopolitics and the Moving Image Edited by Henrik Gustafsson and Asbjorn Gronstad (New York and London: Bloomsbury Academic, 2014).

(Nº 7) Seeing the Light. Exploring Ethics Through Movies de Wanda Theys (Wiley-Blackwell, 2012).