CINEMA 8 (2016)
MARX’S PHILOSOPHY
edited by Michael Wayne and Sérgio Dias Branco PDF
Editorial: Film Through Marx, Our Contemporary, 1-3 PDF
Michael Wayne (Brunel University London)
Sérgio Dias Branco (University of Coimbra/IFILNOVA/CEIS20)
Abstracts, 4-8 PDF
ARTICLES
Cinema Violence and the Ontology of Capitalism, 10-29 PDF
Se Young Kim (Vanderbilt University)
From Binary to Rich Dialectics: The Revolt of the Fishermen and Mauser, 30-52 PDF
Angelos Koutsourakis (University of Leeds)
From Barton Fink to Hail, Caesar!: Hollywood’s Ghosts of Marxist Past, 53-68 PDF
Cam Cobb (University of Windsor)
Christopher J. Greig (University of Windsor)
Making Films Negatively: Godard’s Political Aesthetics, 69-87 PDF
Jeremy Spencer (Camberwell College of Arts - University of Arts London)
The View from Below: Film and Class Representation in Brecht and Loach, 88-107 PDF
Keith O’Regan (York University)
For Marx: The New Left Russian Cinema, 108-130 PDF
Marijeta Bozovic (Yale University)
INTERVIEWS
“Another kind of primitive dream”: Interview with Apichatpong Weerasethakul, 132-137 PDF
by Susana Nascimento Duarte (IFILNOVA) and José Bértolo (CEC - University of Lisbon)
BOOK REVIEWS
Lukácsian Film Theory and Cinema: A Study of Georg Lukács’ Writings on Film 1913-71, 139-144 PDF
Stefanie Baumann (IFILNOVA)
Understanding Sound Tracks Through Film Theory, 145-148 PDF
Nick Poulakis (National and Kapodistrian University of Athens)
Cinema of Simulation: Hypereal Hollywood in the Long 1990s, 149-153 PDF
Jorge Martins Rosa (NOVA/CIC.Digital)
Mismatched Women: The Siren’s Song Through the Machine, 154-157 PDF
Najmeh Moradiyan Rizi (University of Kansas)
Literatura e Cinema. Vergílio Ferreira e o espaço do indizível, 158-164 PDF
Ana Bela Morais (CEC - Universidade de Lisboa)
Cinema El Dorado – Cinema e Modernidade, 165-172 PDF
José Bértolo (CEC - Universidade de Lisboa)
CONFERENCE REPORTS
Capitulation to Cool?: Thoughts on Conferences 2015-2017, 174-179 PDF
William Brown (University of Roehampton)