. Abstracts

 1-6

. Introduction: The Leftovers, Philosophy and Popular Culture

 7-20

. Stay Broken: Nietzsche, Badiou, and The Leftovers’ Nihilism

Patrick O’Connor (Staffordshire University)

22-40

. We will not recover from Scepticism unless we aim to the Existential: Emotional Engagement and Popular Music in The Leftovers

Enric Burgos (University of Valencia and Jaume I University)

41-60

. When the Cement of the Universe Breaks Apart. Hume, Causality, and The Leftovers

Enrico Terrone (University of Genoa)

61-71

. “We’re All Gone”: A Postsecular Account of The Leftovers’ Traumatic Existentialism as ‘Religious Ground Zero’

Ilaria Biano (Italian Institute for Historical Studies)

72-81

. Time, Grief, and Grace: A Bachelardian Interpretation of Nora’s Journey

Michael Granado (Staffordshire University and Sora Schools)

82-92

. The End of the World: Confusion in The Leftovers

Keith Dromm (Louisiana Scholars’ College at Northwestern State University)

93-105

BOOK REVIEWS | RECENSÕES DE LIVROS

. Immanent Frames. Postsecular Cinema between Malick and Von Trier

Maria Irene Aparício (FCSH-Universidade Nova de Lisboa/Ifilnova)

 107-113

. Falso Movimento. Ensaios Sobre Escrita e Cinema

Alexandre Nascimento Braga Teixeira (FCSH-Universidade Nova de Lisboa)

114-117

. Funny How: Sketch Comedy and the Art of Humor

Diego Hoefel (FCSH-Universidade Nova de Lisboa)

118-121

. Poetics of Slow Cinema: Nostalgia, Absurdism, Boredom

Manuel Oliveira (FCSH-Universidade Nova de Lisboa)

122-126

. Body Images in the Post-Cinematic Scenario: The Digitization of Bodies

Philipp Teuchmann (FCSH-Universidade Nova de Lisboa)

127-132

. Silent Cinema: A Guide to Study, Research and Curatorship

Sofia Sampaio (Instituto de Ciências Sociais da Universidade de Lisboa)

133-137

CONFERENCE REPORTS | RELATÓRIOS DE CONFERÊNCIAS

. The Conference as Zoo(m) (Exagium in Memoriam Eileen Rositzka)

William Brown (Independent scholar)

 139-145